Maximum The Hormone - Discography -2001-2011- Flac _top_

This guide outlines the critical releases of Maximum the Hormone between 2001 and 2011. While the band's studio albums and major singles are widely available on digital platforms like Qobuz and Apple Music, earlier works from this period often require physical CD rips to obtain high-fidelity FLAC (lossless) audio. Core Studio Albums (2001–2011)

These releases represent the band's peak creative period and are highly sought after in lossless formats for their complex, genre-blending production.

Hō (鳳) [2001]: A mini-album that helped establish their early fanbase.

Mimi Kajiru (耳噛じる) [2002]: Their first major full-length effort under a new label.

Kusoban (糞盤) [2004]: Known for its raw energy; includes the track "Koi no Sweet Kuso Meriken".

Rokkinpo Goroshi (ロッキンポ殺し) [2005]: Their first release to crack the Top 40, featuring the hit "Rolling 1000toon".

Bu-ikikaesu (ぶっ生き返す) [2007]: The band's commercial breakthrough, reaching #5 on the Oricon charts. It contains iconic tracks like "What's up, people?!" and "Zetsubō Billy" (used in Death Note). Essential Singles & EPs

During this decade, many tracks were released as "Maxi-Singles," often featuring B-sides not found on full albums.

Maximum the Hormone discography (2001–2011) (Free Lossless Audio Codec) typically represents a collection of the band's most influential work, spanning their rise to international fame through anime soundtracks like Death Note

. This period covers their transition from independent punk roots to a major label powerhouse. Included Albums & Major Releases (2001–2011)

Based on the band's official history and standard high-quality collections, this timeframe includes: Hō (鳳) [2001] : An early EP featuring their raw, high-energy style. Mimi Kajiru (耳噛じる) [2002] : A pivotal EP that defined their eclectic sound. Kusoban (糞盤) [2004]

: Their fourth major release, blending metalcore with pop sensibilities. Rokkinpo Goroshi (ロッキンポ殺し) [2005]

: A major studio album that solidified their mainstream success. Bu-ikikaesu (ぶっ生き返す) [2007] : Their most commercially successful album, featuring the Death Note themes "What's up, people?!" and "Zetsubou Billy". Greatest the Hits 2011–2011 [2011]

: A unique single release that included three new tracks, bridging the gap to their later work. Википедия Audio Quality Specifications Maximum the Hormone - Discography (1999-2018) (Lossless)

Between 2001 and 2011, Maximum the Hormone (MTH) transitioned from an underground hardcore unit to a global J-rock powerhouse, defining a signature "everything-core" style that defies easy categorization

. This era is the most critical in their discography, marking the arrival of their definitive lineup and their breakthrough into mainstream culture via iconic anime soundtracks. The Evolution of "Menkata Kotteri" (2001–2004) Maximum the Hormone - Discography -2001-2011- FLAC

The decade began with a foundational shift in the band's identity. Following the departure of early members, drummer Nao Kawakita recruited her brother, Maximum the Ryo-kun, on guitar and vocals, alongside bassist Ue-chang. This lineup solidified the band's unique vocal trio: Daisuke-han’s abrasive screams, Ryo-kun’s melodic and rap-infused vocals, and Nao’s pop-influenced singing. Hō (2001) & Mimi Kajiru (2002):

These early EPs laid the groundwork for their experimental approach, blending nu-metal grooves with punk energy. Kusoban (2004): Their first major-label album through VAP,

(literally "Shit Disc"), signaled their refusal to conform to industry standards while honing their "Menkata Kotteri" (hardcore and "thick" like ramen) aesthetic.

Mainstream Breakthrough: Rokkinpo Goroshi to Bu-ikikaesu (2005–2007)

This period saw MTH achieve massive commercial success without sacrificing their experimental edge. Rokkinpo Goroshi (2005):

Their first album to crack the Top 40, this release mastered the art of "drastic shifts," where a song might pivot from brutal thrash to bubblegum pop in seconds. Bu-ikikaesu (2007):

Widely considered their masterpiece, this gold-certified album reached Number 5 on the Oricon charts. It contains "What’s Up, People?!" and "Zetsubou Billy," which gained global fame as the opening and ending themes for the anime Death Note

. The album perfectly balanced funk-metal technicality with infectious, often absurd, lyricism. Global Reach and The "Greatest" Era (2008–2011) Following the success of Bu-ikikaesu

, the band focused on high-impact singles and international touring. Mimi Kajiru Shinuchi

Here’s a detailed template for a Maximum the Hormone discography post (2001–2011, FLAC) suitable for a music forum, blog, or private tracker. You can copy and adapt it as needed.

Listening Order Suggestion (For New Listeners)

Don’t go chronologically. Try this:

  1. Bu-ikikaesu (2006) – Most iconic.
  2. Tsume Tsume Tsume single (2008) – Peak aggression.
  3. Misc. (Ura) (2011) – Curious rarities.
  4. Kusoban (2003) – If you want raw roots.

File organization recommendations

  • Folder structure: /Music/Maximum the Hormone/[Year - Album Title]/
    • Use consistent filename format: 01 - Track Title.flac
  • For singles/EPs and extras: create subfolders like /Singles/ or /Compilation Appearances/
  • Store CUESheets and rip logs alongside FLAC files (CUESHEET.cue, RIPL.log).

6. Greatest the Hits 2011–2011 (2011) – The Coda

Strictly speaking, this falls exactly at the end of our 2011 cutoff. This "best of" album contains re-recorded versions of early tracks like “Abara Bob” and “Nigire Tsutsu.” For collectors of Maximum the Hormone - Discography -2001-2011 - FLAC, this is the capstone because it offers the 2011 remasters of Rock Imo era songs.

  • Comparison: Listen to “Rock Bankuruwase” from the 2001 EP vs. the 2011 remaster in FLAC. The remaster adds sub-bass that wasn't physically possible on the original recording equipment.

FLAC: Why It Matters for This Band

Maximum the Hormone’s music is dense, fast, and dynamic – from whispered verses to blast beats to slap bass. FLAC (16-bit/44.1kHz or higher) preserves:

  • Transients – Attack on drums and palm-muted guitar riffs.
  • Low-end clarity – Nao’s bass drum patterns and Ryo’s down-tuned bass.
  • Dynamic range – Sudden shifts between pop-clean and screamed vocals.

⚠️ Many online FLAC rips of early MTH are poorly tagged or upscaled MP3s. Verify with spectral analysis (frequencies above 20kHz should be present for true CD FLAC).

Maximum the Hormone — Discography (2001–2011) — FLAC Guide

Maximum the Hormone rose from Japan’s heavy/alternative underground to international cult status with a ferocious, genre-bending sound that mixes punk, metal, funk, pop and hardcore. This post overviews their official releases between 2001 and 2011 and gives practical guidance for collectors who want lossless FLAC audio versions, plus tips for tagging, organizing, and preserving high-quality files. This guide outlines the critical releases of Maximum

🧷 Tags (for forums / trackers):

#MaximumTheHormone #JRock #Metal #FLAC #Lossless #Buikikaesu #DeathNote #JapaneseMetal #2000sRock

This discography overview covers the pivotal decade of Maximum the Hormone (マキシマム ザ ホルモン), tracing their evolution from underground punk/metal outliers to international icons following their breakout success on the Death Note soundtrack. Discography Overview (2001–2011)

During this period, the band transitioned from an indie label to major label success under VAP, defining their signature "genre-blend" sound.

Hō (鳳) (2001): A mini-album released on the indie Sky Records label, featuring early genre-fluid experiments.

Mimi Kajiru (耳噛じる) (2002): Their first full indie album, notable for establishing their long-term collaboration with cover artist Man-Gatarou.

Kusoban (糞盤) (2004): Their final indie-style release before signing to VAP, containing fan favorites like "Koi no Sweet Kuso Meriken".

Rokkinpo Goroshi (ロッキンポ殺し) (2005): Their first major-label full-length album, which broke into the Oricon Top 40.

Bu-ikikaesu (ぶっ生き返す) (2007): The band's commercial peak in this era, certified Gold in Japan. It features "What's Up, People?!" and "Zetsubō Billy," famously used in the Death Note anime.

Greatest the Hits 2011–2011 (2011): A triple-A-side single/EP that reached #1 on the Oricon charts, featuring the track "Maximum the Hormone". Notable Singles & EPs Bullpen Catcher's Dream (2000): Early indie single release.

Enzui Tsuki Waru (2003): Featured "Rolling 1000toon," used as the ending for the Air Master anime. Koi no Mega Lover (2006): Their first Top 10 Oricon hit.

Tsume Tsume Tsume / "F" (2008): A major single where "F" famously pays tribute to the Dragon Ball character Freeza. Musical Style and Impact

Maximum the Hormone: A Critical Analysis of their Discography (2001-2011) in FLAC Format

Maximum the Hormone is a Japanese rock band known for their unique blend of heavy metal, hard rock, and pop music. Formed in 1997, the band consists of four members: Daisuke-kun (vocals), Satoshi (bass), Ryo (guitar), and Nao (drums). Over the years, they have released a string of successful albums, EPs, and singles, earning a dedicated fan base in Japan and worldwide. This article will focus on their discography from 2001 to 2011, with a special emphasis on the FLAC format.

Early Years (2001-2003)

Maximum the Hormone's early years were marked by a series of EPs and singles that showcased their raw energy and eclectic style. Their debut EP, "Maximum the Hormone" (2001), was a self-released, limited edition record that introduced their music to a small but dedicated audience. The EP's rough, DIY production and catchy songwriting laid the groundwork for their future success. Listening Order Suggestion (For New Listeners) Don’t go

In 2002, the band released their second EP, "A.S.I.C.T." , which featured a more refined sound and a greater emphasis on heavy metal influences. The EP's lead single, "Jump", became a moderate hit on Japanese radio stations, helping to build a larger fan base.

Breakthrough and Mainstream Success (2004-2006)

The band's breakthrough came with the release of their debut full-length album, "A.S.I.C.T." (2004). This album marked a significant turning point in their career, as it showcased their ability to craft catchy, high-energy rock songs with a strong focus on melody. The album's success was fueled by the hit singles "Hinotabi" and "Yokubori", which received heavy rotation on Japanese radio and music television.

In 2005, Maximum the Hormone released their second full-length album, "Lev EPs", which continued their upward trajectory. The album featured a more mature sound, with a greater emphasis on complex song structures and experimental production techniques.

Critical Acclaim and International Recognition (2007-2011)

The band's third full-length album, "Sakan no Tsuki" (2007), marked a critical and commercial turning point in their career. The album's eclectic blend of heavy metal, hard rock, and pop elements earned widespread critical acclaim, with many praising the band's innovative approach to songwriting.

In 2008, Maximum the Hormone released their fourth full-length album, "B★W★C", which further solidified their reputation as one of Japan's most exciting and innovative rock bands. The album featured a more refined sound, with a greater emphasis on catchy hooks and melodies.

The band's fifth full-length album, "Marigold" (2010), saw them continuing to push the boundaries of their music. The album's lead single, "Marigold", became a massive hit on Japanese radio stations, helping to cement their status as one of Japan's top rock bands.

Discography (2001-2011) in FLAC Format

For fans looking to explore Maximum the Hormone's discography in high-quality audio, FLAC (Free Lossless Audio Codec) format offers an excellent solution. FLAC is a lossless audio format that preserves the original audio data, providing a more accurate and detailed listening experience.

Here is a list of Maximum the Hormone's discography from 2001 to 2011, available in FLAC format:

  • EPs:
    • "Maximum the Hormone" (2001) - FLAC
    • "A.S.I.C.T." (2002) - FLAC
    • "Lev EPs" (2005) - FLAC
  • Full-length Albums:
    • "A.S.I.C.T." (2004) - FLAC
    • "Lev EPs" (2005) - FLAC
    • "Sakan no Tsuki" (2007) - FLAC
    • "B★W★C" (2008) - FLAC
    • "Marigold" (2010) - FLAC
  • Singles:
    • "Jump" (2002) - FLAC
    • "Hinotabi" (2004) - FLAC
    • "Yokubori" (2004) - FLAC
    • "Marigold" (2010) - FLAC

Conclusion

Maximum the Hormone's discography from 2001 to 2011 is a testament to their innovative approach to rock music. With their unique blend of heavy metal, hard rock, and pop elements, they have built a dedicated fan base in Japan and worldwide. The FLAC format offers an excellent way for fans to experience their music in high-quality audio, preserving the original audio data and providing a more accurate and detailed listening experience.

Whether you're a longtime fan or just discovering Maximum the Hormone, their discography from 2001 to 2011 is a must-listen. With their eclectic sound, catchy hooks, and high-energy performances, they are sure to continue to thrill audiences for years to come.

Tagging and metadata

  • Use consistent tags: ARTIST, ALBUM, TITLE, TRACKNUMBER, DISCNUMBER, DATE, GENRE, ALBUMARTIST, ALBUMSORT, TRACKTOTAL, CATALOGNUMBER, LABEL, ISRC when available.
  • For Japanese titles: keep both original-script title and romaji/English transliteration — use separate tags or adopt the ALBUMARTIST/ARTIST conventions (e.g., ARTIST: マキシマム ザ ホルモン; ALBUMARTIST: Maximum the Hormone).
  • Use MusicBrainz Picard or beets for batch tagging and MusicBrainz/Discogs identifiers; attach release group and release IDs in tags if you maintain a reference library.