Starboy & Outtatown Drum Kit isn't just a collection of sounds; it’s a digital blueprint for the "Rage" and "Hyperpop" era of hip-hop that took over the 2020s. The Creators The kit is named after (Anton Mendo) and
(Tobias Dekker), a powerhouse producer duo from the Netherlands. They are widely credited with helping pioneer the high-energy, synth-heavy "Rage" subgenre, notably through their heavy involvement with artists like Playboi Carti Whole Lotta Red Ken Carson Lil Uzi Vert Trippie Redd The Story Behind the Kit The Foundation of a Sound
: As their unique production style—characterized by "filthy" 808s, distorted synth plucks, and fast-paced rhythms—became the industry standard for new-age trap, demand for their specific sounds skyrocketed. A "Cool" Release
: In 2020, the duo released their official drum kit in a notable way: it was initially given to people who donated $20 to the Black Lives Matter
website, turning a highly anticipated production tool into a vehicle for social support. The "Hyperpop" Era : The kit became a cornerstone of the
producer collective (which included Starboy, Outtatown, Loesoe, and Art Dealer), defining the "virtual trap" aesthetic that dominated SoundCloud and mainstream charts alike.
The Starboy & Outtatown Drum Kit refers to a collection of high-energy, "virtual" drum sounds popularized by production duo Starboy (Anton Martin Mendo) and Outtatown (Tobias Dekker). They are pioneers of the Rage and Hyperpop trap subgenres, having executive produced for Ken Carson and contributed heavily to Playboi Carti’s Whole Lotta Red. Kit Characteristics and Sound Design Starboy Outtatown Drum Kit
The "Starboy x Outtatown" sound is defined by its abrasive, digital texture and high-tempo energy.
Abrasive 808s: The kits typically feature heavily distorted, "crunchy" 808s that cut through dense synth layers.
"Melee" Drum Textures: Many sounds have a metallic, "melee-like" quality, often created through heavy saturation or synthesis in tools like Serum or Massive.
High-Velocity Percussion: Claps and snares are usually snappy and high-pitched to complement the fast BPMs (often 140–150+) common in Rage beats.
Dynamic High-End: Producers often use sidechain compression to make hi-hats "duck" when the kick or clap hits, adding a rhythmic groove to an otherwise static digital loop. Core Influences and Placements
If you are looking for these sounds, you are essentially chasing the "Opium" or "Hyperpop.jp" aesthetic. Notable works featuring these drum styles include: Starboy & Outtatown Drum Kit isn't just a
The Starboy Outtatown Drum Kit functions as a practical toolkit aligned with modern production tastes—emphasizing low-end power, clear transients, and processed textures. Its real value lies in accelerating workflow and providing inspiring starting points; however, achieving a distinctive sound still depends on tuning, layering, and thoughtful processing. Producers should pair technical diligence (tuning, mixing, bus processing) with creative manipulation to avoid derivative results and ensure legal use by confirming licensing terms.
The Starboy Outtatown Drum Kit is an essential sound collection for producers looking to master the Rage and Hyperpop subgenres. Inspired by the production styles of Anton "Starboy" Mendo and Tobias "Outtatown" Dekker, this kit provides the sonic foundation for the distorted, high-energy beats popularized by artists like Playboi Carti and Ken Carson. Who are Starboy and Outtatown?
Starboy and Outtatown are Dutch producers and members of the producer collective ADRENALINE (formerly known as HYPERPOP). They are widely credited with pioneering the "Rage" sound—a fusion of trap drums with aggressive, synthetic melodies. Their credits include chart-topping tracks such as:
Playboi Carti: "Meh," "Control," and "King Vamp" from Whole Lotta Red.
Ken Carson: "Fighting My Demons," "Jennifer's Body," and "Yale". Lil Uzi Vert: "Futsal Shuffle 2020" and "I'm Sorry". Trippie Redd: "Matt Hardy 999" and "Molly Hearts". Core Sounds of the Kit
A typical Starboy Outtatown-style drum kit focuses on heavy processing and unique digital textures rather than organic percussion. Key components include: Conclusion The Starboy Outtatown Drum Kit functions as
Here is the crucial note. Because this is a "type beat" kit and not an official Roland or Splice release, you must be careful.
In the ever-evolving landscape of modern music production, the line between a "sample pack" and a "signature sound" has never been thinner. For producers aiming to capture the hypnotic, groove-heavy essence of contemporary Afropop, Alté, and global R&B, one name has surfaced as a non-negotiable essential: The Starboy Outtatown Drum Kit.
If you have spent any time dissecting the beats of Wizkid’s Made in Lagos or the ethereal bounce of Rema and Oxlade, you have heard these sounds. But what exactly is this kit, where does it come from, and most importantly, should you buy it?
Let’s dive deep into the textures, the legacy, and the sonic architecture of the Starboy Outtatown Drum Kit.
Great production lives in the details. This kit usually comes loaded with unique textures—humming subs, tape hiss, and metallic percussive hits. These aren't your main drum elements, but dropping them in the background of your beat adds that expensive, "analog" feel.
Don’t just drag the folder in. Sort by type:
| Folder Name | What Goes Inside |
|--------------|------------------|
| Kicks | Hard kicks, soft kicks (no 808s here) |
| Snares & Claps | Dry snares, fat claps, snaps |
| Hi-Hats | Closed, open, rolled, pitched hats |
| Percs | Rimshots, toms, bongos, triangles, shakers |
| 808s | Sub basses, distorted basses, slides |
| FX | Risers, impacts, reverses, atmospheres |
| Melodic Loops (optional) | Synth shots, vocal chops (if included) |
Pro tip: Use a DAW with built-in tagging (Ableton, Logic, FL Studio) or create a custom drum rack to audition sounds instantly.